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      <image:title>About</image:title>
      <image:caption>Photo Credit: Rachel Eliza Griffiths</image:caption>
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      <image:title>Letters</image:title>
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      <image:title>Letters</image:title>
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      <image:title>Letters</image:title>
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      <image:title>Letters - Tableau: How many Asian American poets can you fit in a dorm room with a guitar, dancing and singing along?"</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3b01c1bfd4c70f53761292/1597778505715-L7NUZZQV70ENDX5LUT9V/GilesPizza.jpg</image:loc>
      <image:title>Letters - Tableau: Schemes &amp; dreams in midsummer. Snow cone Haiku Overdrive. Karaoke with Myung-Mi. All-You-Can-Eat Chinese buffet with Lawson. Marilyn dancing like gin fizz. UNLIMITED DORM PIZZA.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3b01c1bfd4c70f53761292/1597778573758-7NX0PX24WYQCLQIOC9L6/Aro%252BHa_0010.jpg</image:loc>
      <image:title>Letters - Tableau: The Lotus Eaters. Sandwich-making contest. The glorious work horse of the fictionists. Boxes of Kleenex. The final circle, opening.</image:title>
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      <image:title>Letters</image:title>
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  <url>
    <loc>https://www.sarahgambito.com/last-suppers</loc>
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    <lastmod>2020-08-23</lastmod>
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      <image:title>Last Suppers</image:title>
      <image:caption>Walang Hiya: Telling a Filipino, Walang hiya is equivalent to a "F*** you." The transliteration, "You have no shame" speaks to the long-lasting residue of colonization. Walang hiya traditionally implies one is mannerless, disrespectful, inelegant, lowbred, barbaric, unrefined, and unlike the colonizers and the properly colonized, primitive. Untraditionally, it embraces that Walang Hiya is necessary to provoke great art, social change, and fly outfits. ~ Hossannah Asuncion</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Pagpahayag Ng Mga Gutom: My interpretation combines elements from the Last Supper and the Philippine Declaration of Independence (Pagpapahayag ng Kasarinlan ng Pilipinas) in 1898. Both events have elements of political strife, betrayal, and are omnipresent in the Pilipino home. ~ Francis Estrada</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>give over: in my evangelical church / women did not speak out / in the assembly / no one drank beer / wine / liquor / i signed a virginity contract / Wait For Me / love (comma) / Your Future Husband / my brown family was hired / as church janitors / i memorized chapters of the / king james / ye shall seek me / and find me / when ye shall / search for me / with all your heart / we had access to the church empty / i was wiping tables / putting away playdoh / and gnawed on / nursery toys / the felt pictures of jesus / i hung oblong things / on christmas trees / i wanted to be sideswiped / into pipe organ traffic / i still want this / to feel hair-pulled / and to give over / at the same time / i could / switch off every light / in the grand auditorium / i made it happen / the echoing green / of an deserted church / piano keys are / lonelier / and lovelier /////////////////////// here / ~ Sarah Gambito</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Anger, Ambivalence, Ennui: In this photo, I was interested in exploring the many attitudes of non-believers and ex-believers. I was raised in the Catholic Church. Even as I was growing up, taking CCD classes, learning the rituals of confession and First Communion, and serving as an altar boy every Sunday, I felt an ambivalence and good-winking even as a young child. When I was older and made peace with my non-belief in church doctrine and a monotheistic, patriarchal institution, my attitudes toward the Catholic Church range from anger and ambivalence to frustration and ennui. Often, all at the same time. In this staging, I distributed an index card with one emotion written on it to each of the 12 models. The range of emotions included these feelings of anger and ambivalence, as well as others such as boredom, irritation, and ignorance. I asked the 12 models to embody the individual emotion described without feedback from others. The feeling I sought for the portrait as a whole was being together alone. ~ Ricco Siasoco</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Bubble Gum For Supper: I was struck by how we had all come together to activate artistic play. That's what this photoshoot of the Last Supper was for us Filipino artists and creators - playing with image and form, with story and with myth, and subverting religious iconography with ephemeral notes of pop-culture. ~ Marissa Aroy</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Blood &amp; Wine: For me, the Last Supper image is a beginning of an end. And it evokes red to me: blood &amp; wine. I shredded the reddest fabric I could find and distributed them to the participants to depict violence, trauma, death and the ultimate betrayal that is to come. ~ Joseph O. Legaspi</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Compassion Fatigue: Everyone in this photo is distracted by their devices and not making eye contact with each other even when in close proximity. I was thinking about self-imposed distraction in the face of the real. ~ Roberto Jamora</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>An Absence of Patriarchy: In the dream it never washed ashore never sunk its talons deep into the veins to become Lord—Father and Son and father and son and. / &amp; so we continued beginning with the stories, all the simple things we know, hard-won and breakable, passed gentle as eggs from knowing hands. / &amp; the question was not who are we but how do we do &amp; the heft of it &amp; for whom &amp; what we learned in the doing. / &amp; in the doing there was not loneliness but communion: long-memoried elders and the earnest with radical vision, bound up together, forging where else but ahead. / &amp; despite the guarantee of change—how it breaks hearts—in the dream the world is held open, / &amp; in the dream we inherit our abundance, / &amp; in the dream always there is room for the young, their nerve, their gum-snapping, arm-linking, one-upping sisterfriends and playcousins, the spitfires and quiet stars, the tsismis, the affection, the maarte, the magulo, &amp; all the beginnings of the stories left in tact, all the boys and all the girls left unpurged of their girlishness, incandescent, sugar-high and twirling in the dusk, running late for supper. ~Noelle de la Paz</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>OMG: To correlate the present and our particular political climate to The Last Supper, brings up feelings of a time and place before the end. Our selfie culture reflecting nothing back at us but our inability to break out of what feels like a predestined doom. ~ Nancy Bulalacao</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Magboiboisterous: This was a very special evening. In my arrangement, I'm Judas. I didn't want to be, but I thought it added another layer to have the biracial person be Judas. I had to do it. I thought everyone would have heard that the Book of Judas had been found, and so Judas' role is ambiguous because in his book, Christ asks him to do it, and so he sacrifices his name in history for Christ. But few had heard of this, and so I realized that I was not creating Judas who-might-be-a hero-or-a-betrayer, I was creating more Judas a betrayer. But ironically this crowd is the most loving group, we feel lucky to have each other. If everyone had friends like we do, there would be a lot less misery in the NYC arts scene. ~ Lara Stapleton</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>A Celebration of Life (or This is NOT Our Last Supper): I wanted to reflect the idea of coming together at the table to celebrate life a la Oprah with wide grins and serious merriment. ~ Nita Noveno</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>The Sacrifice: Jesus as sacrificial lamb / Jesus as a female figure / sacrifice / Disciples as a mob/boxing matchviolent, greedy, blood-hungry ~ J. Mae Barizo</image:caption>
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      <image:title>Last Suppers</image:title>
      <image:caption>Last Chance at the CCP: He that is without sin among you ~ Nicole Ponseca</image:caption>
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    <lastmod>2025-12-22</lastmod>
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      <image:title>Office Hours - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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